Laura Kuhlman, Music Director
Laura Kuhlman is a recent transplant to Portland, OR from Chicago, Illinois, where she spent many years as a freelance musician. From Bach to Broadway, Laura has enjoyed partnerships with several early music ensembles including the Burgundian Ensemble, Masqued Phoenix, and the Too Early Consort. In 2011, Laura performed with members of Lizodes in Ecuador and in 2012 with members of Piffaro for the Washington DC Revels and in December 2016 with the Portland Revels. Laura has performed with theater orchestras in the Chicago area, including Pheasant Run, Oak Park & River Forest Stage Productions. Laura will share the stage once again with Piffaro in the Washington, DC Revels this coming December 2018.
Laura is the music director for the Portland Recorder Society and the Recorder Orchestra of Oregon, in addition to CGEMR. She is the recent past President of the national American Recorder Society. Along with Juan Carlos Arango and Robert Wiemken, Laura organized the Indiana Early Double Reed Workshop, now in its 18th season and has
taught at the Kalamazoo Recorder Workshop in Kalamzoo, MI, the San Francisco Recorder Workshop in California, Whitewater Early Music Festival in Wisconsin and recently the Vernon Proms Festival in Vernon, BC, Canada.
Laura performs with The Oregon Renaissance Band in Portland. She is the musician scheduler and performer for the English Country Dance community in Portland. She also teaches flute, saxophone, recorder, early double reeds and renaissance bagpipes both at workshops and in her private studio.
Vicki Boeckman is an active and passionate performer of all styles of music. Her career as a professional recorder player has been a highly rewarding journey which has taken her to many exciting places such as Denmark, Sweden, Norway, Germany, Austria, Italy, England, Scotland and British Columbia. She has recorded 15 CDs with various ensembles and loves playing a wide variety of musical styles.
Since settling in Seattle in 2004, Vicki has been a featured soloist with Seattle Baroque Orchestra, Portland Baroque Orchestra, Portland Opera, Medieval Women’s Choir, Gallery Concerts, Philharmonia Northwest Orchestra and the Skagit Symphony. Her Seattle-based chamber trio, Ensemble Electra, with violinist Tekla Cunningham and harpsichordist Jillon Stoppels Dupree are a permanent fixture in the early music scene. Her duo with recorder maker David Ohannesian is a popular addition to the Early Music Guild’s School Outreach Programs, often asked to return to the same schools year after year. Vicki is a two-time recipient of the recorder residency at the Sitka Center for Art and Ecology in Oregon, and a two-time recipient of the Jack Straw Artist Support Program.
Vicki is a pillar of the Seattle recorder community and in demand as a teacher locally and afar, teaching at workshops and seminars across the country and in British Columbia. She was director for the Portland Recorder Society and the Columbia Gorge Early Music Retreat from 2006-2016. Currently she is music director for the Seattle Recorder Society, co-director of the Recorder Orchestra of Puget Sound (ROPS) with Charles Coldwell and Artistic Director for the Port Townsend Early Music Workshop. Vicki adores teaching children as well as adults. She has been on the faculty of the Music Center of the Northwest in Seattle since 2005 as well as having a thriving teaching studio in her home.
Vicki resided in Denmark from 1981-2004. While there she taught at the Royal Danish Academy of Music in Copenhagen for 12 years, and at the Ishøj Municipal School of Music for 23 years. Many of her students are now professionals themselves, either performing or teaching in conservatories in Denmark or around Europe. Her Danish recorder trio Wood’N’Flutes had a fantastic 15 year run performing in castles and churches all over Europe and working with contemporary composers, in addition to doing children’s theater. Vicki loves spending quality time with friends and family, cooking and eating good food, drinking good wines and single malts, walking briskly, and making things grow in the garden.
Gayle Stuwe Neuman, a performer on violin, recorder, sackbutt, and many other instruments, is also a vocalist who has received international acclaim for her renditions of the “Song of Seikilos,” the “Chorus from Orestes,” and others upon the release of Ensemble De Organographia’s CD Music of the Ancient Greeks. Several of the tracks from that recording have also appeared in the Norton Scores Recorded Anthology of Western Music, and numerous films and television programs. She appears in the award-winning film “Buddymoon” directed by Alex Simmons, and recorded music that is heard in the recent remake of Ben-Hur. She composed and arranged music for the 2015 production of “Mary Stuart” for Northwest Classical Theatre. She has performed for audiences in the U.S., Japan, Israel, Turkey, Greece, Canada, Norway, Germany, and for members of the royal family in Jordan. She co-founded and co-directs the Oregon Renaissance Band, now in its 27th season. Gayle is a member of the Trail Band and has played under the baton of Monica Huggett and Ton Koopman. She teaches Recorder, Collegium Musicum and Renaissance Song classes at Portland’s Community Music Center. She has given workshops and presentations at many institutions, including Oberlin Conservatory, Rice University, Cleveland Museum of Art, and the Getty Center. She has built with her husband Phil over 400 early wind and stringed instruments including krummhorns, cornamusen, racketts, and vielles.
Phil Neuman, a performer on recorder, sackbutt, and numerous other wind and stringed instruments, co-founded and co-directs the Oregon Renaissance Band, which has performed for the Regensburg Early Music Festival, and recorded the CDs Carnevale and Now make we joye. He has produced and recorded seven CDs for Pandourion Records, including French Music of the 14th Century, Music of the Ancient Greeks, and The One Horse Open Sleigh. He appears in the award-winning film “Buddymoon” directed by Alex Simmons, and recorded music on ancient instruments for the recent remake of Ben-Hur. He has written and recorded music for Oregon Public Broadcasting. He has played for audiences on three continents, including performances at several ancient theater sites in Greece. He teaches Recorder, Renaissance Winds, and Loud Band classes at the Community Music Center in Portland. Phil is a member of The Trail Band, has performed under the direction of Christopher Hogwood and Nicholas McGeegan, recorded with the American Bach Soloists, and has played in the Philharmonia Baroque Orchestra, The Chicago Chorale, and the Handel and Haydn Society Orchestra. He has composed, arranged and transcribed over a thousand works for recorder ensemble, brass ensemble, and symphonic wind ensemble, including “Theme and Variations” that won first place in the San Francisco Recorder Composition Competition. He has built with his wife Gayle over 400 early wind and stringed instruments including krummhorns, cornamusen, douçaines and racketts.
Mark Davenport is Professor of Music at Regis University, Denver, where he chairs the Music Department and directs the University’s Recorder Music Center (RMC), an international repository for recorder music, instruments and archival material related to the history of the recorder movement in America. As a conductor, Davenport has spent almost 30 years directing large university early music ensembles, including the Collegium Musicum at Regis, a 30-member ensemble made up of singers and performers on period instruments. He is also a frequent faculty member for recorder workshops across the U.S.
Mark was trained on the recorder from the age of three through studies with his father, LaNoue Davenport, the American recorder pioneer and first president of the American Recorder Society (1960). Mark has had an extensive performing career beginning in the late 1970s when he first toured with the internationally renowned New York Pro Musica during their performances of the thirteenth-century liturgical drama The Play of Daniel. Since moving to Colorado in 1992 he has been a featured soloist with the Colorado Music Festival and Boulder Bach Festival Orchestras, and with his own groups Fiori Musicali and Trio Dolce.
Mark holds the Ph.D., and Master of Music in Musicology, from the University of Colorado at Boulder, and a B.A. in Music History, summa cum laude, from the State University of New York, College at New Paltz. He served two consecutive terms on the Board of Directors for the American Recorder Society (2004-2012), chairing its Education and Programs Committees. His music publishing company, Landmark Press, is devoted to the publication of music for early instruments and voice.
Based in Central Illinois, Lisette Kielson performs as soloist, chamber musician, and orchestral player throughout the Midwest. Past President of the American Recorder Society, Lisette directs the Collegium Musicum at Bradley University, serves on the faculty of the Whitewater Early Music Festival and as Music Director of the ARS Chicago Chapter, and teaches at workshops throughout the country, including most recently at Next Level Recorder Retreat, Amherst Early Music Festival, and workshops in Ann Arbor, Madison, and San Diego. Lisette holds Bachelor and Master Degrees in flute performance from Indiana University and a post-master’s Diploma in recorder performance from The Royal Conservatory of The Hague, the Netherlands. She has released recordings of Bach and Boismortier with Centaur Records as well as CDs under her own label. Lisette is a member of L’Ensemble Portique, Peoria Bach Players, and Chicago Recorder Quartet. Read more at LEnsemblePortique.com.